PARIS, 6 May 2009: India remains the world’s leading film producer but Nigeria is closing the gap after overtaking the United States for second place, according to a global cinema survey conducted by the UNESCO Institute for Statistics (UIS).
According to the survey, Bollywood produced 1.091 feature-length films in 2006 compared to 872 productions (in video format) from Nigeria’s film industry, which is commonly referred to as Nollywood. In contrast, the United States produced 485 major films.
The three heavyweights were followed by eight countries that produced more than 100 films: Japan (417), China (330), France (203), Germany (174), Spain (150), Italy (116), South Korea (110) and the United Kingdom (104).
These and other findings were collected through a new international survey launched by the UIS in 2007 with financing from the Government of Québec.
– Film and video production are shining examples of how cultural industries – as vehicles of identity, values and meanings – can open the door to dialogue and understanding between peoples, but also to economic growth and development. This conviction underpins the UNESCO Convention on Cultural Diversity said Koïchiro Matsuura, the Director-General of UNESCO, and added: – And this new data on film and video production provides yet more proof of the need to rethink the place of culture on the international political agenda.
Overall, the survey yielded data from 99 countries. It is important to note that response rates were limited especially among African countries where there is a general lack of statistical information on cultural issues.
Despite its limited coverage, the survey provides a unique perspective on how different countries and regions are transforming traditional approaches to the art and industry of filmmaking especially in video and digital formats.
In particular, the explosive growth of Nollywood attracts considerable attention, especially in developing countries looking for alternatives to the U.S. or European models of film production and distribution, which require considerable investment. To begin with, Nigerian filmmakers rely on video instead of film to reduce production costs. And as the survey points out, Nigeria has virtually no formal cinemas. About 99% of screenings occur in informal settings, such as “home theatre.”
Finally, the UIS survey reveals another key element of the Nigerian success story: multilingualism. About 56 per cent of Nollywood films are produced in Nigeria’s local languages, namely Yoruba (31 per cent), Hausa (24 per cent) and Igbo (1 per cent). English remains a prominent language, accounting for 44 per cent, which may contribute to Nigeria’s success in exporting its films.
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